Photography

Film photography exploring grain,
light and timeless moments.

Residual Voltage Dream, shot with Lomography La Sardina 'El Capitan' and Kodak Color Plus 200

The Pink Hour, shot with Ricoh Shotmaster Zoom and LomoChrome Purple Pétillant 100-400.
The Pink Hour, shot with Ricoh Shotmaster Zoom and LomoChrome Purple Pétillant 100-400.
Still, shot with Ricoh Shotmaster Zoom and Ilford SFX 200.
Still, shot with Ricoh Shotmaster Zoom and Ilford SFX 200.
Low Tide, shot with Ricoh Shotmaster Zoom and Kodak Portra 400.
Low Tide, shot with Ricoh Shotmaster Zoom and Kodak Portra 400.
Blue Forgot My Name, shot with Lomography La Sardina 'El Capitan' and Kodak Color Plus 200.
Blue Forgot My Name, shot with Lomography La Sardina 'El Capitan' and Kodak Color Plus 200.

Cocolicchio, shot with Ricoh Shotmaster Zoom 35mm and Fuji Provia 100F.

Rural II, shot with Lomography La Sardina 'El Capitan' and LomoChrome Purple 100-400.
Rural II, shot with Lomography La Sardina 'El Capitan' and LomoChrome Purple 100-400.
Among the Poppies, shot with Nikon FG and Kodak Portra 400.
Among the Poppies, shot with Nikon FG and Kodak Portra 400.
Duomo di Lecce, shot with Ricoh Shotmaster Zoom and LomoChrome Purple 100-400
Duomo di Lecce, shot with Ricoh Shotmaster Zoom and LomoChrome Purple 100-400
Through Ruins Toward Light, shot with Ricoh Shotmaster Zoom and Ilford SFX 200
Through Ruins Toward Light, shot with Ricoh Shotmaster Zoom and Ilford SFX 200

Some Kind of Blue, shot with Ricoh Shotmaster Zoom 35mm and Revolog Kolor

In the Shadow, shot with Nikon FG - Nikon 50mm f/1.8 and Kodak Portra 400.
In the Shadow, shot with Nikon FG - Nikon 50mm f/1.8 and Kodak Portra 400.
Rural, shot with Lomography La Sardina 'El Capitan' and LomoChrome Purple 100-400.
Rural, shot with Lomography La Sardina 'El Capitan' and LomoChrome Purple 100-400.
Through Nature, shot with Ricoh Shotmaster Zoom and Ilford SFX 200.
Through Nature, shot with Ricoh Shotmaster Zoom and Ilford SFX 200.
Almost at the Top.
Almost at the Top.
Trulli, shot with Ricoh Shotmaster Zoom and Ilford SFX 200.
Trulli, shot with Ricoh Shotmaster Zoom and Ilford SFX 200.
All That Blue, shot with Ricoh Shotmaster Zoom and Revolog Kolor.
All That Blue, shot with Ricoh Shotmaster Zoom and Revolog Kolor.
Where the Day Slows Down, shot with Ricoh Shotmaster Zoom using the first roll of film I ever shot.
Where the Day Slows Down, shot with Ricoh Shotmaster Zoom using the first roll of film I ever shot.
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